Posted by Clementine Woodhouse Appleby
I was employed to help artist Helen Reynolds get her cloud installation ready for the Translucent Landscapes exhibition. It all starts with a drawing
by Helen that looks something like this:
My job was to trace the shape onto a
new piece of paper and label it; then I had to cut off the outside layer and and draw around the new shape - which became the next layer. This
process was repeated until all of the cloud layers were drawn separately onto paper. Then the cutting
began!
Every shape had to be cut out and kept organised. When a whole cloud had
been cut out, I started gluing. We glued small squares of foam board to
the biggest layer (the first one I cut), and then put dollops of glue on top of each square and laid the next biggest size on top of that, smoothing it down to strengthen the bond. We
kept moving down in size but up in height, until eventually the clouds really
began to form before our eyes.
There were regular caffeine breaks of course - there are only so many
squiggly lines one can look at before they start moving on the page in front of
you!
At the same time as all of this was going
on, the other artists were popping in and out, getting their work finished
and their rooms ready for the opening. They came during their lunch breaks and
as soon as they had finished work, which really showed me their dedication to
their art and how much they cared about it.
I’ve really enjoyed working with Helen and
know I’ll never look at a cloud the same way again! The whole experience has
given me a new appreciation for artists and art alike and I hope this
exhibition continues to go really well for all these lovely people.
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| Clouds by Helen Reynolds |
