tag:blogger.com,1999:blog-21715702165963570282024-02-25T17:00:45.531-08:00Translucent LandscapesAn exhibition of installation art, music, drawings and photography. The Translucent Landscapes exhibition will pop-up on March 1-March 22nd at 75 Ghuznee St, and February 26 at the Thistle Hall Lightbox.
Opening hours: Every day, 11:00am - 6:00pmworkbook : Helen Reynoldshttp://www.blogger.com/profile/00172562130639669519noreply@blogger.comBlogger29125tag:blogger.com,1999:blog-2171570216596357028.post-51737311389356643762012-03-16T14:56:00.002-07:002012-03-16T15:05:06.337-07:00The Tenderness of Light, the reading<iframe allowfullscreen="" frameborder="0" height="315" src="http://www.youtube.com/embed/fYQmikKpT0I" width="560"></iframe><br />
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<i><span class="Apple-style-span" style="font-size: x-small;">Posted by Mary McCallum</span></i><br />
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The reading of my book <i>The Tenderness of Light </i>at the opening of Translucent Landscapes was recorded on video by Mike Ting, and I edited it with images from the book and the place the poems talk about: our property in the Wairarapa over summer. Making the video has felt like an extension of the book-making and the poetry.<br />
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It's been a challenge - watching myself and listening to my own voice reading over and over (!), learning how to delete unwanted sounds/interjections etc and putting the video together with images that are evocative without being dominant -- and by that, I mean evocative of both place and book. I feel I could improve on the reading and hope to do so in the Wairarapa before long.<br />
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Meanwhile, <i>Tenderness</i> is selling well to poets, poetry readers, friends and family (thank you!) ... <a href="http://waitingroompoems.wordpress.com/2012/03/14/the-tenderness-of-light/">Here is one happy customer!</a> Copies are going off to San Francisco and Boston and London, to Dunedin and the Wairarapa, and many places in between. Wonderfully, I have gone over the 50 mark in terms of sales, so just under 50 more to go.<br />
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You can still buy the books from Translucent Landscapes at 75 Ghuznee St, Wellington until March 22. I am there tomorrow (Sunday) 11 am - 6 pm, if you want to talk about the poems and have me write your name in the book. They are already signed and numbered. Or click the button in the sidebar of this blog. Or email makaropress@gmail.com. Details below.<br />
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<span class="Apple-style-span" style="font-family: Garamond; letter-spacing: 1px;">The Tenderness of Light </span></div>
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<span style="font-family: Garamond; letter-spacing: 1pt;">Poetry,
signed limited edition of 100 books. Six poems.28 pages. Garamond font on
uncoated 100 gsm Munken paper with flax photograph on Gilclear insert, 240 gsm Munken
cover, and hand-sewn linen thread binding. $15<o:p></o:p></span></div>
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<br />Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-2171570216596357028.post-45893571541009484682012-03-14T19:00:00.000-07:002012-03-14T19:05:29.806-07:00Cloud Cutter<br />
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<span lang="EN-GB"><i>Posted by Clementine Woodhouse Appleby </i></span></div>
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<span lang="EN-GB">I was employed to help artist Helen Reynolds get her cloud installation ready for the <i>Translucent Landscapes</i> exhibition. It all starts with a drawing
by Helen that looks something like this:</span> <o:p></o:p><br />
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<span lang="EN-GB">My job was to trace the shape onto a
new piece of paper and label it; then I had to cut off the outside layer and and draw around the new shape - which became the next layer. This
process was repeated until all of the cloud layers were drawn separately onto paper. Then the cutting
began! </span></div>
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<span lang="EN-GB">Every shape had to be cut out and kept organised. When a whole cloud had
been cut out, I started gluing. We glued small squares of foam board to
the biggest layer (the first one I cut), and then put dollops of glue on top of each square and laid the next biggest size on top of that, smoothing it down to strengthen the bond. We
kept moving down in size but up in height, until eventually the clouds really
began to form before our eyes.</span><span lang="EN-GB"> </span></div>
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<span lang="EN-GB">There were regular caffeine breaks of course - there are only so many
squiggly lines one can look at before they start moving on the page in front of
you!</span></div>
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At the same time as all of this was going
on, the other artists were popping in and out, getting their work finished
and their rooms ready for the opening. They came during their lunch breaks and
as soon as they had finished work, which really showed me their dedication to
their art and how much they cared about it.</div>
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<span lang="EN-GB">I’ve really enjoyed working with Helen and
know I’ll never look at a cloud the same way again! The whole experience has
given me a new appreciation for artists and art alike and I hope this
exhibition continues to go really well for all these lovely people.</span></div>
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<tr><td class="tr-caption" style="text-align: center;">Clouds by Helen Reynolds</td></tr>
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<span lang="EN-GB"><o:p><br /></o:p></span></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2171570216596357028.post-77017992722389648172012-03-07T12:20:00.000-08:002012-03-07T12:20:40.955-08:00At the opening<br />
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<tr><td class="tr-caption" style="text-align: center;">Mary McCallum reads from The Tenderness of Light</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Listening to the poetry (artist Molly Samsell on the left)</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">artist Poppy Lekner on the left</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Our venue is a great space and the curving bar was fab!</td></tr>
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<br />Unknownnoreply@blogger.com075 Ghuznee St, Te Aro, Wellington 6011, New Zealand-41.293011385577238 174.77461159229279-41.293384385577241 174.77399459229278 -41.292638385577234 174.77522859229279tag:blogger.com,1999:blog-2171570216596357028.post-66766299061743036552012-03-05T01:31:00.001-08:002012-03-05T02:33:04.007-08:00Ice - Iain Gordon<div class="separator" style="clear: both; text-align: center;">
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This is the premiere of Ice, composed by Iain Gordon, on the opening night. Played by Slava Fainitski (violin), Paul Stewart (guitar) and Iain Gordon (mandolin).workbook : Helen Reynoldshttp://www.blogger.com/profile/00172562130639669519noreply@blogger.com2tag:blogger.com,1999:blog-2171570216596357028.post-68764382808648335922012-03-03T18:33:00.001-08:002012-03-03T18:35:16.365-08:00Exhibition Opens!<i><span class="Apple-style-span" style="font-size: x-small;">Posted by Mary McCallum</span></i><br />
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The preparation is over. The exhibition is launched! Around 100 people came along and helped us celebrate it on Thursday night - interacting with the art work, talking to artists, buying what they liked the look of, watching the performances, knocking back glasses of wine - and they continue to come every day to 75 Ghuznee St between 11 am and 6 pm.<br />
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We will post videos of the music performance and the poetry reading that were part of the opening in due course, meanwhile here's the poem I began my reading with - it's the first poem in the limited edition book I have produced for the exhibition. The 'Helen' in it is Helen Reynolds, our fabulous curator.<br />
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<b>Preparing for an Exhibition</b><br />
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All the talk today is about this.<br />
Helen who lives in the house I used to live in,<br />
who cooks in my kitchen, makes paper clouds<br />
where we ate, alights on the word translucent,<br />
but moves on – via the deception of clouds –<br />
to what she wants to say all along,<br />
the word I’ve been avoiding perhaps because<br />
I say it vainly every day: <i>clarity clarity clarity</i><br />
until it sounds like a horse running<br />
down the road without its rider. Helen<br />
doesn’t hear the horses, she only hears the lick<br />
of gauzy rain from gauzy clouds:<br />
<i>ity ity ity –</i><br />
and is already imagining how hers might be –<br />
layers of paper like onion skin. Really,<br />
she wants to stop the dissembling. See the clouds,<br />
you can touch them. Live in them, even.<br />
Clarity, then. Not just the brilliance<br />
of the tui clawing flax flowers outside <br />
the kitchen window – black feathers like embers, <br />
the comedy of its throat, <i>ty ty ty</i> as it sucks –<br />
but the way through to other side <br />
of the tui and the flax where a luminous <br />
idea resides. The tenderness of light.<br />
Here at last in plain sight.<br />
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Mary McCallum<br />
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<i>With thanks to ‘Meditation at Lagunitas’ by Robert Hass</i>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2171570216596357028.post-58015645770419274002012-02-28T15:31:00.000-08:002012-02-28T15:31:25.509-08:00Drawing translucency or 40 holes a minute: Nathan Young<div style="border-collapse: collapse; color: #222222; font-family: arial, sans-serif; font-size: 13px;">40 holes per minute, 21,600 holes per day and the lack of a thimble, was this really an idea worth pursuing? If I've learnt anything; <b>pay more attention to Grandma</b> - running a pin through your hair makes life so much easier. </div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiCVPQcPTwErXjAt9WIOkCsFuIp18LIYA2PxI46CzWrCKGSSDHGIJLx_decchhEOhyphenhyphenr890Uo_xt8zCDEYf0WthzT46wOLtLntN_-ag3iKWKDsXOqGsA2YQf_vzMEfxKb7V356vlVjzsYT5/s1600/%5B40holesperminute%5D.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="197" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiCVPQcPTwErXjAt9WIOkCsFuIp18LIYA2PxI46CzWrCKGSSDHGIJLx_decchhEOhyphenhyphenr890Uo_xt8zCDEYf0WthzT46wOLtLntN_-ag3iKWKDsXOqGsA2YQf_vzMEfxKb7V356vlVjzsYT5/s320/%5B40holesperminute%5D.jpg" width="320" /></a></div><br />
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</div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2171570216596357028.post-91470150743847387132012-02-27T00:01:00.001-08:002012-02-27T00:37:05.213-08:00Light in the Antarctic: Margaret Elliot<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
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<tr><td class="tr-caption" style="text-align: center;"><div class="MsoNormal"><b><span style="color: #666699; font-family: Arial; font-size: x-small;"><span style="color: #666699; font-family: Arial; font-size: 10pt; font-weight: bold;">Freeze Frame</span></span></b><span style="color: #666699; font-family: Arial; font-size: x-small;"><span style="color: #666699; font-family: Arial; font-size: 10pt;"> 1</span></span><br />
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</span></span></div><span style="background-color: white; color: #8e7cc3; font-family: Arial; font-size: x-small;"><span style="font-family: Arial; font-size: 10pt;"> </span><span style="font-family: Arial; font-size: 10pt;">The pressure ridge reared up like a frozen wave threatening to break as we walked along it into a distance of shifting cloud shadows. I am still fiddling with this work, must stop. </span></span><br />
<span style="font-family: Arial; font-size: x-small;"><span style="background-color: white; color: #8e7cc3; font-family: Arial; font-size: 10pt;">500 x 2000 mm.</span></span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjG8UM6sJeZLroYDSGCeBTj0cxuLJut-KsD0FSolOjGP3vv2p-BIFL2klJmWBbogjzb4At3rSsb_6sBjfwrDzWkZDfkJ6DicekZyjOobZtGET7SExsqquwLzflW-i6x7Z3uEaQRuZJXl3S-/s1600/freeze+frame+500x2000mm+oil+on+canvas.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="96" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjG8UM6sJeZLroYDSGCeBTj0cxuLJut-KsD0FSolOjGP3vv2p-BIFL2klJmWBbogjzb4At3rSsb_6sBjfwrDzWkZDfkJ6DicekZyjOobZtGET7SExsqquwLzflW-i6x7Z3uEaQRuZJXl3S-/s320/freeze+frame+500x2000mm+oil+on+canvas.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><div class="MsoNormal"><b><span style="color: #666699; font-family: Arial; font-size: x-small;"><span style="color: #666699; font-family: Arial; font-size: 10pt; font-weight: bold;">Freeze frame</span></span></b><span style="color: #666699; font-family: Arial; font-size: x-small;"><span style="color: #666699; font-family: Arial; font-size: 10pt;"> 2 </span></span><br />
<span style="color: #666699; font-family: Arial; font-size: x-small;"><span style="color: #666699; font-family: Arial; font-size: 10pt;"><br />
</span></span></div><span style="color: #666699; font-family: Arial; font-size: x-small;"><span style="color: #666699; font-family: Arial; font-size: 10pt;">This work recreates some memorable light effects I experienced outside Scott Base at 1 in the morning. The photos I took didn’t really do it (I often find bad photos make a good starting point for a painting). </span></span><br />
<span style="color: #666699; font-family: Arial; font-size: x-small;"><span style="color: #666699; font-family: Arial; font-size: 10pt;">300mm x1500 mm </span></span></td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4RC5iucB9hpPdVpfj9CrH8P4XkQwxA289119qwdWe1ZnVgStaWnFt5-z0Bhca2sVeOsCKDDmzu9emhnce7qgSKhfV040fnb5Kc0_XTQHZlPeRfH1PBbN_kaEU_RdXw0NUL0ztMY2TkTMb/s1600/freeze+frame+2+300x1500mm+oil+on+canvas.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="75" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4RC5iucB9hpPdVpfj9CrH8P4XkQwxA289119qwdWe1ZnVgStaWnFt5-z0Bhca2sVeOsCKDDmzu9emhnce7qgSKhfV040fnb5Kc0_XTQHZlPeRfH1PBbN_kaEU_RdXw0NUL0ztMY2TkTMb/s400/freeze+frame+2+300x1500mm+oil+on+canvas.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><div class="MsoNormal"><b><span style="color: #666699; font-family: Arial; font-size: x-small;"><span style="color: #666699; font-family: Arial; font-size: 10pt; font-weight: bold;">Freeze Frame</span></span></b><span style="color: #666699; font-family: Arial; font-size: x-small;"><span style="color: #666699; font-family: Arial; font-size: 10pt;"> 3 </span></span></div><div class="MsoNormal"><br />
</div><span style="color: #666699; font-family: Arial; font-size: x-small;"><span style="color: #666699; font-family: Arial; font-size: 10pt;">This currently looks like a collapsed Pavlova. It is currently being made less distinct and hopefully more translucent. Watch this space </span></span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdckWoL9XmPSShLXZIJ_MvWeqpWKIzZs4rqcjBh2QVsuA1v-73G8KH4IChep6NkjnPbauSVUezrHIAOBwLqDNgQX_bAV5aoX8EXdsAcQfQaFDNSBc8ddjU3434HPtPvCGqO2y_wtDWxLZu/s1600/freeze+frame3a.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdckWoL9XmPSShLXZIJ_MvWeqpWKIzZs4rqcjBh2QVsuA1v-73G8KH4IChep6NkjnPbauSVUezrHIAOBwLqDNgQX_bAV5aoX8EXdsAcQfQaFDNSBc8ddjU3434HPtPvCGqO2y_wtDWxLZu/s320/freeze+frame3a.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><div class="MsoNormal"><b><span style="color: #666699; font-family: Arial; font-size: x-small;"><span style="color: #666699; font-family: Arial; font-size: 10pt; font-weight: bold;">Freeze Frame</span></span></b><span style="color: #666699; font-family: Arial; font-size: x-small;"><span style="color: #666699; font-family: Arial; font-size: 10pt;"> 3a </span></span></div><div class="MsoNormal"><br />
</div><span style="color: #666699; font-family: Arial; font-size: x-small;"><span style="color: #666699; font-family: Arial; font-size: 10pt;">Light effects …… If I only had time </span></span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrysWfQl-yexj_Hmqq0rMFexFmjrDTLcszGDWpW21wVS64fARQ8gY5JZXmWyd9EHvAhYeZHzsfcDti_uTgSF_LGGIO9aG2hCAmy48-ZAVLO0N7vrN3wRsfr8kWVBSFkNnIdmAtQsaTBeoP/s1600/the+studio+still+fiddling.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="212" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrysWfQl-yexj_Hmqq0rMFexFmjrDTLcszGDWpW21wVS64fARQ8gY5JZXmWyd9EHvAhYeZHzsfcDti_uTgSF_LGGIO9aG2hCAmy48-ZAVLO0N7vrN3wRsfr8kWVBSFkNnIdmAtQsaTBeoP/s320/the+studio+still+fiddling.JPG" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #666699; font-family: Arial; font-size: x-small;"><span style="color: #666699; font-family: Arial; font-size: 10pt;"></span></span> <br />
<div class="MsoNormal"><b><span style="color: #666699; font-family: Arial; font-size: x-small;"><span style="color: #666699; font-family: Arial; font-size: 10pt; font-weight: bold;">The studio </span></span></b><span style="color: #666699; font-family: Arial; font-size: x-small;"><span style="color: #666699; font-family: Arial; font-size: 10pt;">with the works under construction -- still tweaking.</span></span></div></td></tr>
</tbody></table>workbook : Helen Reynoldshttp://www.blogger.com/profile/00172562130639669519noreply@blogger.com0tag:blogger.com,1999:blog-2171570216596357028.post-52935319272895166622012-02-24T01:54:00.000-08:002012-02-24T01:54:46.241-08:00We all know that photographs can lie, but what about half-truths?<br /><br />Somewhere between the public face and the private, lies a translucent presence neither transparent nor opaque. Neither entirely true nor completely false. Much like contemporary social media.<br /><br />Photographs have been a social media for over one hundred and fifty years. Over the period, contemplation of the mundane has revealed great depth of meaning and beauty.<br /><br />I see photographic translucence not as a diaphanous form but as partially resolved meaning.The photograph may be sharp but is sited between the private and the public. Each of us brings to the image our own perception.<br /><br />My personal photography transverses this social translucent landscape - revealing only clues to the true state of the material and the personal. With the exhibition as a catalyst, over the past month I have explored the personal spaces of my family, letting their domestic landscapes reveal something of their lives. <br />
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Tony KellawayKatherine Kellawayhttp://www.blogger.com/profile/16420950173590359969noreply@blogger.com0tag:blogger.com,1999:blog-2171570216596357028.post-29014268706413432102012-02-15T14:47:00.000-08:002012-02-15T14:47:38.634-08:00The Backstory<style>
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<div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"><span style="font-size: 10pt;">On the 17th of December Helen, Poppy and I went on an overnight trip to Matiu/Somes Island. The trip was many things: a workbook collective Christmas party, a belated birthday celebration, and last, a farewell to a dear teacher, mentor, fellow artist and friend off on a new adventure. Alas, she could not join us. </span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"><br />
</div><div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"><span style="font-size: 10pt;">Since we were butting up against our upcoming exhibition, <b style="mso-bidi-font-weight: normal;">Translucent Landscapes</b>, it was only natural this was at the forefront of our mind and therefore directed conversation and exploration. We spent much of the day researching through filming and photographing, discovering many extraordinary visual feasts, in all sorts of interesting places. It was exhilarating to be absorbed and to respond. In my case, it was in the micro worlds and moments that I discovered. The weekend was a consolidation and followed previous research.</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"><span style="font-size: 10pt;"> </span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"><span style="font-size: 10pt;">A southerly blow had us limited to the Forest and Bird house, late on the Saturday afternoon. Where we managed to get very merry on some rather good wine and become obsessed with completing a jigsaw puzzle. The 9:30 light curfew didn’t stop us, we were jigsaw possessed, using headlamps to carry on. Poppy sensibly bid us goodnight - Helen and I were convinced of the benefits of jigsaw in relation to our art practice, a distilling of form, colour, problem solving, and composition. How you can get stuck on a piece, believing it to part of some whole but it just doesn’t fit.</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"><br />
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<tr style="font-family: Verdana,sans-serif;"><td class="tr-caption" style="text-align: center;"><span style="font-size: xx-small;">Jigsaw Demon Photo by Poppy Leknar</span></td></tr>
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</style> </div><div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"><span style="font-size: 10pt;">I work in a rather convoluted way; I tend to dig holes for multiple seedlings rather than a single tree. I am slightly sheepish about bringing up </span><span class="st"><span style="font-size: 10pt;">Gilles Deleuze and Félix Guattaris’ philosophical concept the Rhizome. Because, quite frankly I haven’t read and absorbed enough to be able to make a critical analysis of how it relates. Only that I am very drawn to its concepts in regard to application of thought processes.</span></span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"><br />
</div><span class="st" style="font-family: Verdana,sans-serif;"><span style="font-size: 10pt;">I tend to work with a number of parallel ideas in an organic Deluezian fashion rather than a sequential development from a single source idea. Follows is a sample of activity from my workbook.</span></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZ-WlgQcHmGXHg1Y0_lfWZI3mTqBkz2zVCvYgKjXCL_vKL3QKt1hwuJ4FfPVBlw2m73CzOopEmkt7KI1sMGY4d8WurdHGTyrF_6B1Is36XbFyRavHvRjALQwIB7f-pSWTkzbjBoGF800Y/s1600/IMG_0123cropped.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZ-WlgQcHmGXHg1Y0_lfWZI3mTqBkz2zVCvYgKjXCL_vKL3QKt1hwuJ4FfPVBlw2m73CzOopEmkt7KI1sMGY4d8WurdHGTyrF_6B1Is36XbFyRavHvRjALQwIB7f-pSWTkzbjBoGF800Y/s200/IMG_0123cropped.jpg" width="150" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheL-yHYCAtWBOVnl5yfKg9_I087KjF5bKgvD63DMf7qUAOEQgIu_PMJg8x3qt9Va2zHck8mhP4hOWG29ek9exeRmD5XD10yo6whejujPH1XDLG4fL44A0f0DbSP40_ADTIRRJUXyHf-0o/s1600/Drawing+4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="85" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheL-yHYCAtWBOVnl5yfKg9_I087KjF5bKgvD63DMf7qUAOEQgIu_PMJg8x3qt9Va2zHck8mhP4hOWG29ek9exeRmD5XD10yo6whejujPH1XDLG4fL44A0f0DbSP40_ADTIRRJUXyHf-0o/s200/Drawing+4.jpg" width="200" /></a></div><div class="separator" style="clear: both; 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<div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"><span class="st"><span style="font-size: 10pt;">My main project will be an installation. The model below doesn’t translate well in photo form, due its static quality. Whereas, the piece involves the viewer’s body to activate what occurs within the space. </span></span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"><br />
</div><div class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: justify;"><span class="st"><span style="font-size: 10pt;">In this project, I have enjoyed the play with the materiality of translucency and am using it as a mechanism to create a sensory space where people can travel their own landscape through their perception of what is presented to them. This may occur through triggers such as memory, emotions, imagination or physical, exploration or perhaps more. My challenge is setting up an environment where a lot of in-betweens exist. It’s untested but hey, that’s what the Fringe Festival is about. </span></span></div><div style="font-family: Verdana,sans-serif; text-align: justify;"><br />
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</div>Katherine Kellawayhttp://www.blogger.com/profile/16420950173590359969noreply@blogger.com0tag:blogger.com,1999:blog-2171570216596357028.post-76078132826309971002012-02-09T01:10:00.000-08:002012-02-09T01:13:57.026-08:00<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQUuGd7LG0W0GbGfjl-blODZ6uqEbqAdVhCYeICqrY74uyOs5mofvkqQQ3whJUVWNOr-8l2MhYR2_pL33o-AybhHpjN0LU9dOsLec89HKnThzeCMnq6gd8jyDuVDhyAwnoAi3F2WDG1zQ/s1600/featureless_brighterfuture.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="121" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQUuGd7LG0W0GbGfjl-blODZ6uqEbqAdVhCYeICqrY74uyOs5mofvkqQQ3whJUVWNOr-8l2MhYR2_pL33o-AybhHpjN0LU9dOsLec89HKnThzeCMnq6gd8jyDuVDhyAwnoAi3F2WDG1zQ/s200/featureless_brighterfuture.jpg" width="200" /></a></div>
<span class="Apple-style-span" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 14px;">Come along tomorrow and Saturday Night to the following free Fringe Shows- love to see you there! </span><span class="Apple-style-span" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 14px;"><br /></span><span class="Apple-style-span" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 14px;">BRIGHTER FUTURE- by Mike Ting: Fri 10th Feb. 4 min loop (9-12pm). Majoribanks St side of the Embassy Theatre (outside). Free!</span><span class="Apple-style-span" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 14px;"><br /></span><span class="Apple-style-span" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 14px;">FEATURE-LESS - by Poppy Lekner: Sat 11th Feb 10.30-11pm. Paramount Theatre. Koha/Free!</span><span class="Apple-style-span" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 14px;"><br /></span><span class="Apple-style-span" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 14px;"><br /></span><span class="Apple-style-span" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 14px;"><a href="http://featurelessbrightfuture.blogspot.co.nz/" rel="nofollow nofollow" style="color: #3b5998; cursor: pointer; text-decoration: none;" target="_blank">http://<wbr></wbr><span class="word_break" style="display: inline-block;"></span>featurelessbrightfuture.blogspo<wbr></wbr><span class="word_break" style="display: inline-block;"></span>t.co.nz/</a></span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2171570216596357028.post-10638293099637374002012-02-04T13:28:00.000-08:002012-02-04T13:28:08.527-08:00<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhe5DgAvaMmF2hOiUrqrMoBT4OEK4HYHfyoT8srI0qrnh6X1xyK3PTedymONUi_yLigF-PzSslVyu6pk7cpXZTjuD5IUrVraLOB9NCICPuqWKQf8Ig_MrkKGddmlze37sZQyfXeiUO0RfCu/s1600/Herbet+Ponting+Scan+1+scott.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhe5DgAvaMmF2hOiUrqrMoBT4OEK4HYHfyoT8srI0qrnh6X1xyK3PTedymONUi_yLigF-PzSslVyu6pk7cpXZTjuD5IUrVraLOB9NCICPuqWKQf8Ig_MrkKGddmlze37sZQyfXeiUO0RfCu/s320/Herbet+Ponting+Scan+1+scott.jpg" width="244" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Detail from photo by Herbert Ponting 2/12/1911</td></tr>
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Ice, the element that dominates all life in Antarctica and turns what would be a archipelago into a vast expansive continent 3,820,000 square kilometres larger than Europe. I have found this vital element of Antarctica surprisingly hard to write a musical composition on. The main problem is that Antarctica is a very quite desolate place, and only a few people have any form of emotional attachment to the place, also I have never been there. So instead of trying to write a tone poem about a place that I have only ever seen on the TV screen, I have instead decided to try and capture the feelings that the early explorers of Antarctica would have felt visiting the white continent. I'm working on an instrumental piece for mandolin, violin and guitar which we'll perform on the opening night.Iainhttp://www.blogger.com/profile/06097053928524333064noreply@blogger.com0tag:blogger.com,1999:blog-2171570216596357028.post-69153603458142815052012-02-02T14:05:00.000-08:002012-02-07T18:40:19.928-08:00Layering Clouds<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
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<tr><td class="tr-caption" style="text-align: center;">Helen Reynolds 2012</td></tr>
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Moist air rises up to meet a layer of cool air - a cloud condendses.. Layers of air swirl above us and clouds mark the movement, a different shape for each layer.<br />
Here in Wellington the hills constrict the sky. The motorway is one of the best places to see as many clouds as you can, see them rising drifting on the currents. In particular the motorway's raised fly-overs. But I have found that getting absorbed by the clouds when driving is almost as dangerous as texting while driving and I have had to give it up.<br />
I am cutting layers of paper to make clouds for the exhibition, tracking the expansion, drifting and dissipation of clouds in each layer.<br />
I come out of the studio, absorbed again, and ask my daughter if she can hang the clouds out on the line to dry. She looks puzzled, but decides to get the laundry out instead.workbook : Helen Reynoldshttp://www.blogger.com/profile/00172562130639669519noreply@blogger.com0tag:blogger.com,1999:blog-2171570216596357028.post-13529002828762580602012-01-20T14:17:00.000-08:002012-01-20T16:10:27.684-08:00Visit to the Optometrist's<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
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</tbody></table><div class="separator" style="clear: both; text-align: left;">One day two weeks ago, the cloud on the Rimutakas so low it was like driving in the sky, I joined the other nine artists involved in Translucent Landscapes at the exhibition venue - an abandoned optometrist's premises in Ghuznee Street, Wellington. I am a poet - being part of an 'exhibition' is new to me. The others are visual artists in a range of media from photography to videomedia to installation art, landscape architects, a composer. </div><div class="separator" style="clear: both; text-align: left;"><br />
</div><div class="separator" style="clear: both; text-align: left;">We arrive around noon, most of us, some have been there a while. We stand at the edges to start with, <i>this is, have you met</i>. Helen, the gentle organiser. She's made muffins with oats and fruit in them. Her son, the composer, plucks at the mandolin, walks in arcs.</div><div class="separator" style="clear: both; text-align: left;"><br />
</div><div class="separator" style="clear: both; text-align: left;">We peel off. Follow the composer's lead. Stand and look: the well-lit reception with 2 x 2.2 windows, a long desk, the plastic hooks where spectacles were displayed once, lit squares in the walls for goodness knows what, the view onto Glover Park. <i>When I was studying landscape architecture, we observed the park for 24 hours, all through the night, taking shifts. </i></div><div class="separator" style="clear: both; text-align: left;"><i><br />
</i></div><div class="separator" style="clear: both; text-align: left;">The small eye-testing rooms with no natural light, white walls. <i>Perfect. Can I paint it?</i></div><div class="separator" style="clear: both; text-align: left;"><br />
</div><div class="separator" style="clear: both; text-align: left;">Some of the artists cluster. Talk about children. Holidays. </div><div class="separator" style="clear: both; text-align: left;"><br />
</div><div class="separator" style="clear: both; text-align: left;">Measure. Squint. Take photographs. Gesture at corners, walls. <i>Stalagmites. </i></div><div class="separator" style="clear: both; text-align: left;"><i><br />
</i></div><div class="separator" style="clear: both; text-align: left;"><i>I was just thinking. That one for me. Perhaps. How about this one? How would that be for you? I like this. Yes, this. This. Thinking. No not there. Here. Have you thought? I'm still.</i> </div><div class="separator" style="clear: both; text-align: left;"><br />
</div><div class="separator" style="clear: both; text-align: left;">Eating one of Helen's muffins. There's take-out coffee. Across the road it says <span class="Apple-style-span" style="color: blue;"><b>PARKING</b></span>, <i><span class="Apple-style-span" style="color: blue;">The French Art Shop</span></i>, <span class="Apple-style-span" style="background-color: white;"><span class="Apple-style-span" style="color: #666666;">World Trade Centre</span></span> (faded). </div><div class="separator" style="clear: both; text-align: left;"><br />
</div><div class="separator" style="clear: both; text-align: left;">In Glover Park people come and go inside the neat squares. Mostly apart unless already in a cluster. A father with two children and ice-creams, a couple standing on a bench animated, man reading the newspaper, a pigeon. A reflection of us, inside. Coming and going. Framed in the windows. On show? I think so. </div><div class="separator" style="clear: both; text-align: left;"><br />
</div><div class="separator" style="clear: both; text-align: left;">On the other side of the park is a building with an elegant dome and a place at the top to stand and look at the world. A widow's walk. I bet you can see the harbour from there.</div><div class="separator" style="clear: both; text-align: left;"><br />
</div><div class="separator" style="clear: both; text-align: left;"><i>Maybe if I put. This room, for me, for sure. Over here. Fine. A projection. At night. The park. How much? How about? </i></div><div style="text-align: left;"><br />
</div><div style="text-align: left;">And the poems, where? The composer, Iain, and I talk by the spectacle hooks. He's not recording his music, will play it on the launch night with a guitarist and violinist. A performance. Just that. I wonder if that's enough for a poem: performed on launch night, printed out, perhaps. A few pages, displayed on the spectacle hooks. </div><div style="text-align: left;"><i><br />
</i></div><div style="text-align: left;">There are, as you'd expect, a lot of mirrors here, as well as the windows. Everywhere, squares of light, muted by city dust. The windows need washing. <i>I'll ask Eddie</i>. </div><div style="text-align: left;"><br />
</div><div style="text-align: left;">Still, a poem <i>exhibited</i> is a compelling idea. In large font on a large window, perhaps? The words opened up, given depth, by the place where they rest. Resolutely opaque but still, in a way, translucent - the light allowed (figuratively) through. The 'landscape' behind the words: <span class="Apple-style-span" style="color: blue;"><b>PARKING</b></span>, <i><span class="Apple-style-span" style="color: blue;">The French Art Shop</span></i>, <span class="Apple-style-span" style="background-color: white;"><span class="Apple-style-span" style="color: #666666;">World Trade Centre</span></span>, Glover Park, the dome, the widow's walk. <i>I'll look into it.</i></div><div style="text-align: left;"><br />
</div><div style="text-align: left;">Make notes. Measure with my feet. Take photos with my phone. One of the shots is in the middle of the optometrist's, somewhere between mirrors and windows. When I get home, I see myself in it. Framed and blocked by the light. Yet, possibly, vaguely translucent. </div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2171570216596357028.post-52531129056584615642012-01-12T02:44:00.000-08:002012-01-12T16:29:02.640-08:00Swatches<div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTA22bFDmqOOzHfGVQDIWlYbbfZAyHaJmoISNYAhXUjbv-eD2WruYHn50KGrQ32voYVLW6sC_rGc3vFRc8QIKSM-NSGpL7z7VeV3qqWtAqZVE_VuicgGXu3Drgx2V8zB9dICQnyEDPJvc/s1600/spring+frost.jpg"><img style="cursor:pointer; cursor:hand;width: 53px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTA22bFDmqOOzHfGVQDIWlYbbfZAyHaJmoISNYAhXUjbv-eD2WruYHn50KGrQ32voYVLW6sC_rGc3vFRc8QIKSM-NSGpL7z7VeV3qqWtAqZVE_VuicgGXu3Drgx2V8zB9dICQnyEDPJvc/s320/spring+frost.jpg" alt="" id="BLOGGER_PHOTO_ID_5696694991674521202" border="0" /> </a> <a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQMwWAXIIbOLMZ9sxmA5eblamwcDfTTGrq2q4UDJOQoVh54yIcb758sfZVIOZKs97EopQsM3dApQ7CLUF70BTcIpigD0-nEVfu0v9SC8BcWLIQnAwTX0-TR-9uTl61QVHksDkMnCwbCKw/s1600/autumn+dew.jpg"><img style="cursor:pointer; cursor:hand;width: 53px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQMwWAXIIbOLMZ9sxmA5eblamwcDfTTGrq2q4UDJOQoVh54yIcb758sfZVIOZKs97EopQsM3dApQ7CLUF70BTcIpigD0-nEVfu0v9SC8BcWLIQnAwTX0-TR-9uTl61QVHksDkMnCwbCKw/s320/autumn+dew.jpg" alt="" id="BLOGGER_PHOTO_ID_5696694990480260482" border="0" /> </a> <a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUqw3Yf4VpkEk198e3cjmnTY-NAIzqKesEIhhVoWAruyJeN1CQ_ef0GH1GwMhzeFTqSjCxG90N4t49fNHW0gHgvz4pWTXTBX9LPWcapeCQGSMsnv92Ptw9Qu0AxxAeONyygCHZnLklmwA/s1600/winter+eclipse.jpg"><img style="cursor:pointer; cursor:hand;width: 53px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUqw3Yf4VpkEk198e3cjmnTY-NAIzqKesEIhhVoWAruyJeN1CQ_ef0GH1GwMhzeFTqSjCxG90N4t49fNHW0gHgvz4pWTXTBX9LPWcapeCQGSMsnv92Ptw9Qu0AxxAeONyygCHZnLklmwA/s320/winter+eclipse.jpg" alt="" id="BLOGGER_PHOTO_ID_5696694997089142258" border="0" /></a><br /><span style="font-family: trebuchet ms;font-family:verdana;font-size:78%;" >Images: Molly Samsell, January 2012</span> <div style="text-align: left;"><br />Study for site specific photographic excavations<br /></div></div>Mollyhttp://www.blogger.com/profile/17814284676249265479noreply@blogger.com0tag:blogger.com,1999:blog-2171570216596357028.post-45340685284987350272012-01-05T20:13:00.000-08:002012-01-12T12:29:21.305-08:00Translucent Landscapes conquers space and timeTranslucent Landscapes has found a space for exhibiting! It was a bit nerve wracking to declare an opening time without an actual space, but now time and space are in sync. In fact, we have <i>two</i> sites!<br />
We will be exhibiting at <span style="font-size: small;">75 Ghuznee St</span>, directly opposite The French Art Shop and adjacent to Glover Park. The premises, previously an optometry clinic, make a really exciting space with plenty of individual spaces for projecting video art and creating site responsive installations as well as fabulous light filled rooms for paintings and photographs.<br />
Translucent Landscapes will also be exhibiting at the <a href="http://www.thistlehall.org.nz/lightbox.html" target="_blank">Thistle Hall Lightbox</a> on Arthur St. The Lightbox is a great site, always open and part of the city. <br />
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We would like to thank the owners Sonja Newby and Wayne Lane for their sponsorship and support of this exhibition. We are also grateful for the support of Creative New Zealand Kakano funding, <a href="http://www.capitaltimes.co.nz/Fringe-Festival/Participants" target="_blank">The Fringe</a> and <a href="http://www.thistlehall.org.nz/gallery.html" target="_blank">Thistle Hall</a>.<br />
The group of artists participating has also reached an exciting stage. We now have a fantastic group of talented people from many disciplines creating work for the exhibition:<br />
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<a href="http://webcentre.co.nz/melliot/bio.htm" target="_blank">Margaret Elliot</a>, Iain Gordon, Katherine Joyce-Kellaway, Tony Kellaway, Doris Lindstrom, Poppy Lekner, <a href="http://mary-mccallum.blogspot.com/" target="_blank">Mary McCallum</a>, <a href="http://www.helenreynolds.co.nz/" target="_blank">Helen Reynolds</a>, <a href="http://mollysamsell.com/" target="_blank">Molly Samsell</a>, <a href="http://featurelessbrightfuture.blogspot.com/" target="_blank">Mike Ting</a> and <a href="http://www.nato.co.nz/" target="_blank">Nathan Young</a>.</div>workbook : Helen Reynoldshttp://www.blogger.com/profile/00172562130639669519noreply@blogger.com0tag:blogger.com,1999:blog-2171570216596357028.post-42777595974460924782011-12-07T16:27:00.001-08:002011-12-19T11:39:18.991-08:00<div class="separator" style="clear: both; text-align: center;">
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<span class="Apple-style-span" style="font-size: x-small;">Image: Poppy Lekner, November 2012</span></div>
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Starting to think about filtered intimacy, and experience of distance and proximity. Attempts at reconnecting and finding/observing edges and boundaries in space through points/fields of contact.</div>
<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2171570216596357028.post-35628617318982354292011-12-06T19:54:00.001-08:002011-12-06T20:38:18.985-08:00Space?<div class="separator" style="clear: both; text-align: center;">
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Translucent Landscapes is searching for space to exhibit in. We are excited by this empty optometry space - tell us if you know an empty space that might be available, we would love to hear about it.workbook : Helen Reynoldshttp://www.blogger.com/profile/00172562130639669519noreply@blogger.com0tag:blogger.com,1999:blog-2171570216596357028.post-10038428586392598652011-12-06T15:26:00.001-08:002011-12-06T15:29:19.595-08:00Mature Cumulonimbus<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1XT43A6b3SxtHelwjddzjiQpZAyzKO618PabmAbY0Wzafy689j1DzeoUkEkO2aWSUYjAcIe1GIfiiPUtJbClHa3CSOlFobbWNa6_R1nlBS8oLnieMal-V4JQeat_5mUCcH3j6Nsg4eVA9/s1600/mature+cumulonimbus.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1XT43A6b3SxtHelwjddzjiQpZAyzKO618PabmAbY0Wzafy689j1DzeoUkEkO2aWSUYjAcIe1GIfiiPUtJbClHa3CSOlFobbWNa6_R1nlBS8oLnieMal-V4JQeat_5mUCcH3j6Nsg4eVA9/s320/mature+cumulonimbus.jpg" width="224" /></a></div>
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Image: <a href="http://www.helenreynolds.co.nz/" target="_blank">Helen Reynolds</a></div>workbook : Helen Reynoldshttp://www.blogger.com/profile/00172562130639669519noreply@blogger.com0tag:blogger.com,1999:blog-2171570216596357028.post-59596910341412923162011-11-28T11:54:00.001-08:002011-11-28T11:57:10.544-08:00Katherine Joyce Kellaway<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZw3TSwCIH70T2z27HffLWmBAW1W1khqN4rivgSmaWNeqijBL8UvGu8A4FqCOmhAS_8WI6zhxVzHGEOBi7lzAMWih-7jpCIoQtHXfAOsFUrF_JfYwzipq_r_XjLRNrTqFgdKGeD4xTe-gC/s1600/k+joyce+kellaway.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZw3TSwCIH70T2z27HffLWmBAW1W1khqN4rivgSmaWNeqijBL8UvGu8A4FqCOmhAS_8WI6zhxVzHGEOBi7lzAMWih-7jpCIoQtHXfAOsFUrF_JfYwzipq_r_XjLRNrTqFgdKGeD4xTe-gC/s320/k+joyce+kellaway.JPG" width="320" /></a></div>
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Image: Katherine Joyce Kellaway</div>workbook : Helen Reynoldshttp://www.blogger.com/profile/00172562130639669519noreply@blogger.com0tag:blogger.com,1999:blog-2171570216596357028.post-34480502841978852612011-11-22T19:27:00.001-08:002011-11-22T19:39:13.338-08:00Doris Lindstrom<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaQHIuZjaLYyjYkGb8SPvFDasI3kPiM-Qk6AFzdeHGu8PpFWF_GJf_ezDhvKl8bZkA6O5vVLJJ06qLSVIsblD90LDHx0ACntKJSjuceYW3qui8rK5mBOxUwXzGc7hYDS5G9-7x6uZUW0wY/s1600/Doris+Lindstrom.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaQHIuZjaLYyjYkGb8SPvFDasI3kPiM-Qk6AFzdeHGu8PpFWF_GJf_ezDhvKl8bZkA6O5vVLJJ06qLSVIsblD90LDHx0ACntKJSjuceYW3qui8rK5mBOxUwXzGc7hYDS5G9-7x6uZUW0wY/s320/Doris+Lindstrom.JPG" width="316" /></a></div>
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<b>Image: Doris Lindstrom</b></div>
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This work by Doris Lindstrom is a layering of several draiwngs of the landscape surrounding Doris. She says "I am always looking - then seemingly all of a sudden the place I live has changed with shapes, trees, other things...This stuff surrounds you all your life and it enters your subconscious.The tree has organised itself so it goes around beautifully. In winter they are spikey but week by week, once you get to the greenery there are so many shpaes within it... you have to live with it for a while. It is not necessarily cerebral, its a feeling" </div>workbook : Helen Reynoldshttp://www.blogger.com/profile/00172562130639669519noreply@blogger.com0tag:blogger.com,1999:blog-2171570216596357028.post-21058848804453130422011-10-27T14:40:00.000-07:002011-10-27T14:40:39.910-07:00Glass Room<br />
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<span class="body"><span lang="EN-NZ">"Each day I live in a glass
room unless I break it with the thrusting of my senses and pass through the
splintered walls to the great landscape.</span></span><span lang="EN-NZ"> <span class="bodybold">" Mervyn Peake</span></span></div>
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<span lang="EN-NZ"><span class="bodybold"><a href="http://www.brainyquote.com/quotes/quotes/m/mervynpeak178085.html"> </a> </span></span></div>workbook : Helen Reynoldshttp://www.blogger.com/profile/00172562130639669519noreply@blogger.com0tag:blogger.com,1999:blog-2171570216596357028.post-12140878458819965412011-10-23T21:03:00.000-07:002011-10-23T21:03:56.834-07:00A Cloud Sketch<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjk3ulFqzyniHodNIh2Oxh3EtqCE3YbyQc5kDrLGVxu-cCPkS9yU0kCepUvKLoua1iqY7TjrD3opUpBguD35D18_9TjWRwEuUNxfy1CknMQM2LEG-04i8xZRSp_lOspB7GguYzK-YcPxU-Q/s1600/shapeshifter+cloud.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjk3ulFqzyniHodNIh2Oxh3EtqCE3YbyQc5kDrLGVxu-cCPkS9yU0kCepUvKLoua1iqY7TjrD3opUpBguD35D18_9TjWRwEuUNxfy1CknMQM2LEG-04i8xZRSp_lOspB7GguYzK-YcPxU-Q/s320/shapeshifter+cloud.jpg" width="320" /></a></div>
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<span style="font-size: xx-small;">c2011 Helen Reynolds</span></div>
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<br /></div>workbook : Helen Reynoldshttp://www.blogger.com/profile/00172562130639669519noreply@blogger.com0tag:blogger.com,1999:blog-2171570216596357028.post-45423834621150952532011-10-18T18:01:00.000-07:002011-10-18T18:02:12.387-07:00Katherine Joyce Kellaway:<br /><!--[if gte mso 9]><xml> <o:officedocumentsettings> <o:allowpng/> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:worddocument> <w:view>Normal</w:View> <w:zoom>0</w:Zoom> <w:punctuationkerning/> <w:validateagainstschemas/> <w:saveifxmlinvalid>false</w:SaveIfXMLInvalid> <w:ignoremixedcontent>false</w:IgnoreMixedContent> <w:alwaysshowplaceholdertext>false</w:AlwaysShowPlaceholderText> <w:compatibility> <w:breakwrappedtables/> <w:snaptogridincell/> <w:wraptextwithpunct/> <w:useasianbreakrules/> <w:dontgrowautofit/> </w:Compatibility> </w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:latentstyles deflockedstate="false" latentstylecount="156"> </w:LatentStyles> </xml><![endif]--><!--[if gte mso 10]> <style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman"; mso-ansi-language:#0400; mso-fareast-language:#0400; mso-bidi-language:#0400;} </style> <![endif]--> <p class="MsoNormal" style="text-align:justify;line-height:150%"><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;line-height:150%; font-family:"Century Gothic"" lang="EN-AU">My immediate thoughts on ‘Translucent Landscapes’ when Helen invited me to participate where to reflect on a research trip at the beginning of the year to Lake Grassmere, near Blenheim, in the South Island. We we’re fortunate enough to have a very enthusiastic and interested guide and be there in the midst of the annual salt harvest. The title’ Translucent Landscapes’ suggest the visual, bodily and sound scapes that we experienced on that trip and it certainly resonates with the theme and the video and photographic information gathered will possibly appear in processes.</span></p> <p class="MsoNormal" style="text-align:justify;line-height:150%"><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;line-height:150%; font-family:"Century Gothic"" lang="EN-AU"> </span></p> <p class="MsoNormal" style="text-align:justify;line-height:150%"><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;line-height:150%; font-family:"Century Gothic"" lang="EN-AU">These have little substance just my current ponderings on the theme, are a discourse on our senses as a landscape, </span><span style="font-size:11.0pt;mso-bidi-font-size:10.0pt;line-height:150%; font-family:"Century Gothic"" lang="EN-AU">as in ‘an extensive mental view; an interior prospect’ (</span><span style="font-size:10.0pt;line-height:150%; font-family:"Century Gothic"" lang="EN-AU">answers.com).<span style="mso-spacerun:yes"> </span>I am waiting from Australia Paul Rodaway book called Sensuous Geographies, Body, Sense and Place, a theoretical survey into the subject.<span style="mso-spacerun:yes"> </span></span><span style="font-size: 11.0pt;mso-bidi-font-size:10.0pt;line-height:150%;font-family:"Century Gothic"" lang="EN-AU">And I am enjoying the possibilities of the play between the Oxford Dictionaries’ definition of translucent as in ‘permitting light to pass through but diffusing it so that persons, or objects on the opposite side are not clearly visible and then ‘clear; transparent as in translucent seawater.’ Play is the best step forward. </span><span style="font-size:10.0pt;mso-bidi-font-size:12.0pt; line-height:150%;font-family:"Century Gothic"" lang="EN-AU"></span></p>workbook : Helen Reynoldshttp://www.blogger.com/profile/00172562130639669519noreply@blogger.com0tag:blogger.com,1999:blog-2171570216596357028.post-73862924060852795822011-10-17T13:11:00.000-07:002011-10-17T13:11:17.549-07:00<br />
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little filter</div>
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In the process of filtering, extraction and processing, will update with pieces as material is pushed through system.</div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2171570216596357028.post-8594905676352559372011-10-17T12:23:00.001-07:002011-10-17T12:23:52.855-07:00<div class="separator" style="clear: both; text-align: center;">
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<br />Unknownnoreply@blogger.com0